In exhibition at Oriel Davies Gallery, Newtown from 11th February, in AV performance at Small World Theatre, Cardigan 24th February and online at Animate Projects from the beginning of March.
Lament interweaves site-specific found objects, animation, poetry and music to explore a personal narrative of loss, longing and belonging in the Welsh borderlands. Animation and macro photography is used to examine found objects (eg lichen, flora, animal remains etc) while cinematic compositing techniques visually reintroduce these objects back into the wider landscape and thereby re- contextualise them. Bilingual fragments of spoken word, site-specific recordings and elements of traditional music combine to create an immersive soundscape, achieving a dynamic synergy between sound and image. The oral audio source material is taken from Stafell Gynddylan (Cynddylan’s Hall) and other sections of the 7th Century Welsh poem cycle, Canu Heledd. These poems deal with the fall of the Brythonic Kingdom of Pengwern, in what is now Shropshire. This particular lament originates from the border area describing the silence and ruin of Prince Cynddylan’s home after his death. As such, through a composite of oral, visual and technological innovation, Vicary has created a platform for topographical experimentation and improvisation which combines with sensitive autobiographical references.
Sections of ‘Lament’ are also available to view on a mobile platform using ‘augmented reality’ software, which through its integration of GPS positioning and user controlled field of view allows access to selective audio-visual material in the landscape. This site-specific process of ‘re-compositing’ the objects back into the landscape allows the viewer to physically interact with the artwork whilst simultaneously raising questions about process and perception.
Lament was made in collaboration with Steve Knight, tinderfarm and Musician Ceri Rhys Matthews.
Watch the full film at animate projects